way, seemingly neurosis- and regret-free, matter-of-factly cataloging his achievements without a scent of vanity or self-consciousness. Kulish saw himself as the Sincere Billy, and this is still a good description. It is hard to find much that he is not doing, or has not done, or has no plans to do soon. вЂњBeing not limited to one craft is what I understood I wanted to do,вЂќ he said. Kulish, now 25, is also planning to produce an EP. He plans to produce an EP soon, he said, and release it under a pseudonym. ItвЂ™s the music now that gets him excited, partly - perhaps mainly - because вЂњIвЂ™m absolutely no one when it comes to my music.вЂќ He still teaches dance class and performs in an Irish dancing company, but he has already danced on some of the biggest stages in the world. He is considering going to work for his father, a land surveyor. Since graduation, he has been living at home, unsure exactly where he will end up. вЂњI feel like itвЂ™s easier to kind of make your own decisions about what you want when you feel like you donвЂ™t have to prove yourself,вЂќ he said.

Kowalik was doing something that no one knew he was doing, and he loved it. He listened to psytrance and electronica, downloaded GarageBand and stayed up all night working on music of his own.ДЄfter two decades of performing before thousands of spectators and teachers and fellow dancers, Mr. In a world of elite dance and elite academics, music was his own private thing, just as dancing was Billy ElliotвЂ™s thing in a world of coal mines and striking workers. вЂњI have to live up to their expectations.вЂќ вЂњOther people expect me to be super good at things,вЂќ he said of his life in performance. But who was he doing it for? The question nagged. It was all work at the very highest levels. His senior dance thesis project was inspired by his вЂњwork on backward time travel and decision theory.вЂќ Though the youngest of the three, he was a veteran Billy before the musical even opened in New York, having played the role in London, and he stayed on Broadway the longest.Д«ack to dance school afterward, then high school, then Princeton University, where he majored in philosophy and earned a certificate in dance. He was at dancing school before he turned 4 and had won an Irish dancing world championship before he turned 12. вЂњWhen I was little I wanted to do everything right,вЂќ Mr. Trent Kowalik: Game Theory and GarageBand But over dinner each Billy gave it a shot, telling his own story of lucky breaks, setbacks, ambitions, injury and the dance of growing up. вЂњItвЂ™s hard to describe your own self,вЂќ he said. But no one comes out of the teenage years unchanged, not even Billy Elliot. To where? ItвЂ™s an odd exercise, asking what happened to people who are still at an age when most people havenвЂ™t happened at all yet. By the time вЂњBilly ElliotвЂќ closed on Broadway in 2012, the original trio had long scattered.

Ten years ago this June, they walked up together onto the Radio City Musical Hall stage to receive the Tony Award for best performance by a leading actor in a musical, the first trio ever to do so.Д«roadway runs come to an end, as does prepubescence. Trent Kowalik, 13, Kiril Kulish, 14, and David Alvarez, 13, would shoulder вЂњBilly Elliot: The Musical,вЂќ an $18.5 million Broadway production about an aspiring ballet dancer growing up in English coal country in the Thatcher era. They ate pizza and drank milkshakes, because that is how old they were, three kids unknown to Broadway at that point, the last boys standing from a nationwide culling of young dancers.

It was - good gosh, can this possibly be right? - 11 years ago that I met the Billys Elliot, all of us gathered in the fluorescent delirium of Dave & BusterвЂ™s in Times Square.

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